Matthew DuVall » Photography

“Chronicle” Breakdown on fxguide and TheDaily

matthew — Wed, 22 Feb 2012 17:46:05 +0000

The flying sequence I worked on at Rhythm and Hues has a little video/breakdown featured on fxguide and The Daily

2011 Compositing Reel is up

matthew — Sun, 05 Feb 2012 02:26:52 +0000

This reel includes the shots I worked on for “Mr. Popper’s Penguins”, as well as my shots that were included in the trailers for “Hop”, “Big Miracle” and “Chronicle”. It does not include my latest and greatest from those unreleased films, unfortunately.

view all demo reels

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“Chronicle” Trailer

matthew — Thu, 02 Feb 2012 23:59:06 +0000

I comped a bunch of shots in this trailer.

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“Big Miracle” Trailer

matthew — Fri, 07 Oct 2011 16:34:41 +0000

I comped some of these shots in the trailer.

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“Mr. Popper’s Penguins” in the 2011 Houdini Reel

matthew — Fri, 12 Aug 2011 18:47:11 +0000

I comped on “Mr. Popper’s Penguins” this past Spring and Summer and was lucky enough to be on the Guggenheim sequence team. Here is the trailer with a few of my shots around 1:43

One of my shots also ended up in the SideFX Houdini 2011 reel around 1:56

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“Hop” Trailer

matthew — Sat, 12 Feb 2011 03:16:01 +0000

I worked on this.

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Hop Teaser Trailer

matthew — Wed, 24 Nov 2010 01:54:04 +0000

My first project done as a “Professional” at R+H. So, should I put this in my reel before the tank or after the explosion?

If you’re curious, I comped the first shot, some of the second, the fourth, the ninth and a did little roto work on the 15th.

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Google Buzz

matthew — Sat, 20 Nov 2010 00:19:23 +0000

I’ve been posting to Google Buzz for a while now, most through Google Reader, to share some cool links with my Mom. I took a look recently and realized just how much it had piled up, so I’ve I added a link to the sidebar. Take a look and subscribe if you’d like, I post the best of the internet to it multiple times a day.
Mattdoovall Google Buzz

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Straight up ‘06

matthew — Tue, 28 Sep 2010 02:58:30 +0000

While packing to move to the west coast, I came across this behemoth of an adapter I built my first year of college. Imagine it attached to this:

Held by this guy:

While riding one of these:

And hopefully you can understand my frustration (and mad scientist joy).

It’s almost amazing how fast technology moves. I say “almost”, because most of the movement is compensation for previous shortcuts made to achieve cutting edge results.

Four years ago I was using this monster of glass, aluminum, plastic and superglue to shoot with my 35mm lenses on a video camera. Fast forward 1,400 days, and it’s hard to find a 35mm camera that isn’t digital AND shooting video at twice the resolution and framerate of my the camera I was using then.

I know it was unreasonable at the time, but back then all I wished for was a digital 35mm camera that shot at 24frames per second, 16:9 footage. Instead I had to wrestle with aspect ratios (stretching pixels to create the illusion of more), pulldown methods (hiding 24 full frames in 60 half frames, then extracting them) and the incredible feat of a moderately short depth of field. I’ve watched these problems become more and more apparent, then slowly melt away. I’ve been waiting for these days, everything is just about to get very, very good.

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SCAD Studio 1: Completed

matthew — Thu, 23 Sep 2010 06:13:27 +0000

After being away from Savannah (and this project) for four months, I managed to find some free time to spend polishing it off.

One of the main things I learned during the Rhythm & Hues compositing apprenticeship was to push as much of the work as you can in compositing. The first problem with the old rendering method I was using was that it didn’t give me enough control when piecing the whole thing together. So once I did a little backtracking and rerendering, I was able to devote time to 2d problem solving for the rest of the issues.

Feels good to press publish on this post, and finally archive this project’s files.

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